Sun Dec 31, 8:00 PM - Mon Jan 1, 2:00 AM
224 S Blount St, Raleigh, NC 27601

Community: Raleigh

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Ring in 2018 with Jack the Radio & 6 String Drag! Doors 8pm, Music 9pm-????

Event Details

Jack the Radio is an indie rock band from North Carolina with a hard edged, bluesy-rock, Southern pop sound. The soulful blues stomp created by these garage twang rockers is a brilliant blend of styles smashed into one band, with sliding, tangling guitar lines and soaring harmonies cramming a few extra spark plugs into rootsy rock 'n' roll. - Shakori Hills

After 16 years in hibernation, 6 String Drag is back to remind us a few things about real rock 'n' roll. In the late '90s, the Carolina quartet stood out as pioneers of the nascent alt-country movement. Their Steve Earle-produced LP, *High Hat *remains an undisputed classic of its era. (the band was also on Earle's E-Squared Records)

Now battle-scarred and road-wizened, today's 6 String Drag is the sound of kindred souls reunited, letting their own histories as human beings mingle freely around their shared love of classic, bygone sounds. Their exhilarating new recording, *Roots Rock 'N' Roll*, welds Kenny Roby and Rob Keller's trademark harmonies to surging rhythms. Cut mostly live to tape, the effort is equal parts slap-back swagger and openhearted honesty – a triumphant return that celebrates rock's first golden age by virtue of the grace, wit and insight found in Roby's songwriting.

"I was banging out these rock 'n' roll songs about being teenagers, about hanging out and passing time in small towns," says Roby. "They were pretty uncomplicated musically but we still had no idea how the recording would go. We showed up on Thursday and left on Monday. I didn't know if we'd be able to cut four songs in four days, let alone capture most of the 11 tracks that became the album."

That knife's edge intensity is matched by a wooly, woody sound: Instruments bleed into vocal mics, bonding the sonority. Imperfection is celebrated, rather than painstakingly avoided. Ray Duffey's swinging drums and Keller's upright bass are the foundation, embroidered by Roby's rhythm guitar and guitarist Scott Miller's pointed leads—then thickened by an old-school horn section. The immediacy translates beautifully to record, elevating everything from the plaintive desperation of "Hard Times, High Tim

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